An Analysis of Differences Between “Communication” and “Expression” in Art
From Cave to Modern Art
Keywords:
communication, expression, artAbstract
Communicating is a human activity in stating one thing with an agreed way of doing it between the one who sends it and the one who receives it, make that in language, signs, or symbols. Expression is an effort in expressing an idea, either in language, signs or symbols, without any agreement from the sender and the receiver. Communication and expression in painting has become something that just happens, since art was created when human knowledge knows how to write up to writing is no longer needed as pressing buttons would finish the job. In communicating through an artwork there is an effort so that the target understands the idea being stated, while expression is purely expressing an idea without others consent in understanding it. Hence this analysis aims to dissect the differences through several artworks that have existed in the visual arts: from cave to modern art. This analysis also aims to provide extended knowledge on analyzing works of art through the ages.
Downloads
References
Arnheim, R. (1972). Toward a Psychology of Art, Collected essays. Los Angeles: University of California Press.
Art, Y. C. (2022). Current Bridget Riley. Retrieved from Bridget Riley: Perceptual Abstraction: https://bridget-riley.publications.britishart.yale.edu/catalogue/10/
Commons, W. (2018). File: Supernovae (1959-61) by Vitor Vasarely. Retrieved from Wikimedia Commons:https://commons.wikimedia.org/wiki/File:Supernovae_(1959-61)_by_Victor_Vasarely.jpg
Echols, J. M. (2003). Kamus Inggris Indonesia. Jakarta: Gramedia.
Fleming, W. (1963). Arts and Ideas. London: Holt, Rinehart and Winston.
Foster, W. T. (Undated). The Artists, A Pronouncing, Biographical Dictionary of the Old and Modern Masters. USA: Foster Art Service Inc.
Gardner, H., & Kleiner, F. S. (2004). Gardner' Art Through the Ages. USA: Thomson Wadsworth.
Holt, C. (1967). Art in Indonesia, Continues and Change. New York: Cornell University Press. Ithaca.
Honour, H., & Fleming, J. (2010). The Visual Arts: A History. New Jersey: Pearson Prentice Hall.
Langer, S. K. (2006). Problematika Seni, terjemahan FX. Widaryanto. Bandung: STSI. Bandung.
Myers, B. (2019). The Book of Art, A Pictorian Encyclopaedia of Painting, Drawing and Sculpture, Vol. 2. London: Grolier Incorporated.
Read, H. (1972). The Meaning of Art: A true taste is never a half taste. New York-Washington: Praeger Publishers.
Runes, D. D. (1959). Dictionary of Philosophy, Ancient-Medieval-Modern. Ames, Iowa: Littlefield, Adams & Co.
Sp., S. (1971). Master of Art in Art, Sejarah Perkembangan Seni Rupa Modern. Yogyakarta: Sekolah Tinggi Seni Rupa Indonesia ASRI.
Sp., S. (1976-1977). Tinjauan Seni, Sebuah Pengantar Untuk Apresiasi Seni. Yogyakarta: IKIP Yogyakarta.
Sp., S. (2006). Trilogi Seni, Penciptaan, Eksistensi, dan Kegunaan Seni. Yogyakarta: Badan Penerbit Institut Seni Indonesia Yogyakarta,.
Widjaja, D. H. (1988). Ilmu Komunikasi, Pengantar Studi. Indonesia: Rineka Cipta.
Published
How to Cite
Issue
Section
Copyright (c) 2025 I Dewa Putu Gede Budiarta, I Ketut Mustika, Dewa Ayu Eka Savitri Sastrawan

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.




